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The Emotion Thesaurus: A Writer's Guide To Character Expression
Get Free Ebook The Emotion Thesaurus: A Writer's Guide To Character Expression
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One of the biggest problem areas for writers is conveying a character's emotions to the reader in a unique, compelling way. This book comes to the rescue by highlighting 75 emotions and listing the possible body language cues, thoughts, and visceral responses for each. Using its easy-to-navigate list format, readers can draw inspiration from character cues that range in intensity to match any emotional moment. The Emotion Thesaurus also tackles common emotion-related writing problems and provides methods to overcome them. This writing tool encourages writers to show, not tell emotion and is a creative brainstorming resource for any fiction project.
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Product details
Paperback: 172 pages
Publisher: CreateSpace Independent Publishing Platform; unknown edition (May 6, 2012)
Language: English
ISBN-10: 1475004958
ISBN-13: 978-1475004953
Product Dimensions:
7 x 0.4 x 10 inches
Shipping Weight: 12 ounces
Average Customer Review:
4.7 out of 5 stars
1,462 customer reviews
Amazon Best Sellers Rank:
#149,036 in Books (See Top 100 in Books)
The Emotion Thesaurus is in a special pile of "resources I can't write without" that sits next to my laptop. I bought this after I finished my novel and needed to vary my characters' actions. My characters sighed and breathed and nodded thoughtfully a lot. The thesaurus was so helpful. I looked up the emotion a character felt and found a long list of physical actions, internal sensations, mental responses to illustrate that emotion--as well as evidence that the character has felt the emotion for a long time, what the emotion may escalate to, and evidence the emotion is being suppressed. For example, let's say my character is conflicted. Instead of taking a deep breath or holding his breath (which is a crutch when I write), the thesaurus gives me better options. A physical action may be opening/closing of the mouth as if struggling to find the right words. An internal sensation may be tightness in the chest. A mental response may be feeling guilt because others will be negatively affected by the character's decision. Evidence my character has been conflicted for a long time might be sleeplessness. Feeling conflicted may escalate to feeling overwhelmed (I can then look up overwhelmed in the thesaurus). My character may joke around and avoid the subject as he suppresses his conflicted feelings. The thesaurus helps me visualize my character and get inside his head, so I can write with more interest and freshness. I highly recommend this "can't-write-without" resource.
*Note (7/13/12): I located the linked navigation a while back, and it's actually very well done. Excellent. Forgot to update the review.I'm rounding up because my only complaint is that I couldn't find a linked list/index to go from one entry to the next, back, or otherwise. I am going to search around the book to see if it does indeed exist and to see if it merely escaped me on my first pass. I'll knock off half a star for that, but I'm going to round up because this truly is a wonderful writing aid. (I'll amend my review if I locate it or if someone points it out.)A wide variety of emotions are given in this book, each of the entries supplying information on the overall effects each emotional state has on people, from what others might notice or see to what a person might feel inside. Thus, it's a wonderful tool for examples in any point of view and wonderfully supports the modern, accepted style: third person limited. However, this tool could just as easily be used for any style or point of view.In my opinion, this guide could be useful to both new and experienced writers of fiction. For the former, this is an amazing resource for learning how to write convincing characters and see how emotions translate into writing (then, hopefully, provoking sympathy, empathy, or whatever feeling you wish to evoke in the reader). For the latter, I would say that this can easily be a go-to reference for experienced writers to shake things up a bit and to avoid the long hours of research it would require to do the legwork already done in this guide. I've loaded this book onto my Kindle, and it's ready to go, along with my thesaurus, dictionary, and other reference material. This is one book that will be permanently loaded onto my device.
Actually I finished THE EMOTION THESAURUS earlier than admitted, but I hesitated on the review because it is not an easy work to define in its entirety. This reference work by Angela Ackerman and Becca Puglisi, however, is an excellent follow-up to SELF-EDITING FOR FICTION WRITERS since both deal with the importance of showing instead of telling. Both works start the same, but the book by Renni Browne and Dave King, which I reviewed prior to this book, continues as a lecturing text giving extended advice to writers of novels and short stories. Ackerman and Puglisi, on the other hand, after a lengthy introduction where they emphasize the importance of nonverbal communication (body language, facial expressions, tone of voice, etc.) so that readers can connect with characters on an emotional level, offer a book of lists.As a reference tool, this work, like others, belongs within arm's reach of the writer's work station. It is unique in what it offers -- a compendium of emotions with attached subcategories to show how they might be used on the page in a believable manner. This must have been a grueling work to compile, drawing upon, as they mention, other writers in a critique circle.Two uniformly structured pages are devoted to one particular emotion shown in caps at the top of the left page. Each word is followed by a short definition. The first subcategory is "Physical signals" followed by examples of about 30 words or short phrases. The next subcategories are "Internal Sensations," "Mental Responses," "Cues of Acute or Long-term Determination," "May Escalate to (other emotions and page numbers)," and "Cues of Suppressed Determination."Writer's tips are provided at the bottom of each right page, supplying advice on how to present or utilize these emotions in a believable manner.This is not, as I mentioned at the outset, an easy work to read through because it does not flow with the continuity if a typical text. For me, it was a matter of highlighting certain examples of words and phrases which showed what characters could be feeling, selecting words that I might use in my current work of fiction in progress, particularly works that would apply to the immediacy of a situation rather than to those that were more extensive and required reaching beyond a particular scene.Anyway, use this book as it benefits you. It is certainly accessible.
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